About antiquemike

Based in Bideford, North Devon and with over 40 years of experience restoring fine antique furniture, Mike Pearson offers a professional and reliable antique restoration and conservation service.

Restoration Of A Shapland & Petter Mahogany Coal Cabinet

This Barnstaple based company manufactured some of the finest pieces of furniture in the Arts and Crafts style.

The coal box was missing it’s pierced splashback

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Four of its spindles were missing

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To make the missing spindles I glued together between newspaper, billets of mahogany the same diameter as the original spindles, this enabled me to separate them later in the process.

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The profile was then planed and sanded on both sides.

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The billets were then separated and re-glued with newspaper between each one again and the process repeated.

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Finished spindles ready to be separated with a sharp knife

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 Sanded and ready to polish

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For the splashback, corner brackets and moulding I used a piece of  reclaimed timber that was already polished the same colour.  The design for the pierced hearts I took from a similar item of Shapland and Petter furniture of the same period.

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The top had water marks on it and was meths stripped and re-polished.

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Any digs and scratches were filled, touched in and finally the whole piece was waxed.

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Finished Coal Cabinet

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Restoring A Picture Frame

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As you can see from the picture below, the mouldings on the top of the frame resemble a roller coaster, due to the frame having got damp in the past. One corner motif and a couple of pieces of moulding were missing. Some pieces were previously glued using contact adhesive (nightmare) and the frame had been brush coated with a green/gold paint.

CIMG4378Where the moulding was rocking from being curved I put pressure on each end to snap it, thereby straightening it and gluing it back into position. Once I had a good straight line of moulding, using dentists amalgam I made an impression of the moulding, blocked off both ends with modeling clay and filled with resin mixed with dental plaster. (This gives a harder casting with no air holes). When dry the casing was removed leaving a perfect copy of the moulding.

CIMG4374The moulding was then bedded into place in plaster. Left to dry then trimmed to fit and papered with a fine grade Lubrasil. When papering any mouldings or cavettos use an object of the same shape to wrap the paper around (I used a piece of plastic tubing ) as finger papering will just follow the bumps.

CIMG4381 CIMG4384The missing corner motif was built up using plaster and diluted PVA.  When semi dry it was carved to match. While the plaster was workable I filled as many large gaps as possible between the mouldings and damaged outside edges and corners to the frame.

CIMG4382Once all the plaster work had been done I gave the whole frame a wash coat of Antique Gold Finger mixed with shellac polish and a touch of grey umber.

CIMG4389a When touch dry I dusted some rotten stone (ground pumice powder) with a paint brush around the frame to give the frame an aged look.

CIMG4386I then made a small dry pad and using Antique Gold Finger I went over the surface lightly highlighting all the high spots, motifs, mouldings etc.leaving the grey rotten stone in all the depressions.

CIMG4388When dry the slip and the painting were pinned back into position and the frame was rewired.

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Please note this frame had been previously ‘Painted over’ I would not have used this technique on a gilded frame. I would touch in small spots but would not have gone over the whole frame.

Restoring A Brass And Ebony Inlaid Walnut Writing Slope

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The writing slope has loose and missing brass work and the top is badly scratched.

latestSome brass was cut and filed to size. Using an Old Womans Tooth (also known as a router plane) I rebated the groundwork to the thickness of the brass strip.

CIMG3720The brass is bent on the corners to the exact width of the top, glued and cramped in place.

CIMG3722Cramping the loose brasswork.

CIMG3714Some minor patches were fitted around the hinges

newestRestoring the interior

The secret drawer compartment was missing its cover which locks into place over the brass clip on the right hand side.

CIMG3750The cover should spring open when the right hand inkwell divider is lifted.

CIMG3706I made a new cover which pushes in over the brass clip and locks in place. The spring pushes it outwards when released. The stamp slide covers up the mechanism.

CIMG3710The lock was cleaned, oiled and key fitted.

CIMG3716The exterior of the writing slope was then meths stripped and re-polished, the inside touched in, cleaned and waxed.

CIMG3729The writing slope was then sanded clean ready for re-lining, which was done in a material as close a match to the original as possible.

yeahThe material was glued into place and cut to fit with a scalpel. Tabs were then fitted and wedged from the underside. The slope is tooled with a wheel that is heated up and rolled around the outside edge leaving a patterned imprint.

yesTooling the edge

xxxxxxxxThe bottom of the slope was then baized.

CIMG3751The finished article

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Making A Jewellery Box

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My sister Cath celebrated a big birthday this year and having no idea what to give her I decided it would be nice to make her something special to keep …

A Lacewood (sometimes known as London Plane) Veneered Jewellery Box

The sides of the box were made from an old reclaimed pine drawer side, this was rebated each side for the top and bottom, then cut to size and the corners were planed to a 45 degree angle, taped together with masking tape, ready for gluing.

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The top was built up and mitered for the caveto mold around the top edge. When dry the caveto was routered out.

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The corners were cut with a hacksaw blade and reinforced by gluing in pieces of veneers as you can see below.

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Inside view of box.

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Cramping the veneers up

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Cramping the veneers to the cavato molding.

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Trimming the veneers and marking out with a cutting gauge for ebony stringing.

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Cutting the corners away with a scalpel.

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Fitting the stringing

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All strung…

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Papering the finish

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Cutting the lid. Before I cut the lid I went around with a cutting gauge twice so that the saw wouldn’t rip the veneers off.

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Fitting the ebony strips to all edges of the box.

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Fitting the hinges and lock which were reclaimed from an 18th century tea caddy.

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Some thin strips of mahogany from a reclaimed drawer bottom, were cut and polished to fit the interior.

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Lock and key fitted.

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The box was then french polished waxed and escutcheon fitted.

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 A crushed velvet material was used to line the inside of the lid and base and the mahogany side panels were fitted.

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Brass ball feet were screwed to the base and the bottom lined with baize.

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The end result …

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CIMG3210Since making this I have made a box for another of my sisters Christine, to celebrate her ‘Big Birthday’.

This one was slightly deeper and incorporated a removable inner tray.

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Restoring a Biedermeier Tambour Desk Part 3

Staining and Polishing

As you can see from the picture below, the interior of the desk retains the original deep red mahogany colour, whereas the exterior has been  bleached extensively in direct sunlight. I tried using a polish reviver to bring back the colour with no success, so the next step was to meths strip the exterior. I used meths rather than a paint stripper as this still leaves the grain fairly full.

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Staining

The next step was to mix up a water based stain to match the interior. I applied the stain with a cloth following the direction of the grain, working quickly to avoid patches and streaking.

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After leaving to dry for 24 hours I commenced polishing. As you can see from the picture, a couple of coats of polish brings out the true beauty of the curl veneers.

(Curl or crotch veneers are usually cut from where the tree forks or branches.)

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Fitting the leather

Originally a skiver had been fitted to the desk, after consultation with the client it was decided that we would fit a good quality hide in a plum colour with an antique finish and a gold border.  I then had to rebate the ground work out in order to fit the thicker hide. It was then sanded to a smooth finish as any imperfections would show through the leather.

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Cutting the leather

The leather was lined up and cut with a scalpel to fit and was then pasted using a lap paste. The air bubbles were removed using an ivory boning tool which has the same effect as a wallpapering brush, to ensure the leather goes down flat and smooth.

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The Fitted Leather

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The client had owned this piece for some years and had been unaware of the fact that by pulling a spring under the slide, the slide came forward revealing three secret compartments.

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The end result

The whole piece was then waxed using finest quality beeswax and a lot of elbow grease.

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Restoring a Bierdermeier Tambour Desk Part 1

Restoring a Bierdermeier Tambour Desk Part 2

Restoring A Biedermeier Tambour Desk Part 2

Replacing the missing gallery rails

I made a simple scratch stock  from a hacksaw blade and a piece of scrap timber. The hacksaw blade was ground to the profile I required. I then draw it up and down the length of the rail to scrape the profile out on both sides.  This could have been done with a router but I find this method far quicker on short lengths of timber.

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The rail was then papered with 180/240 grit, dampened with a cloth to raise the grain and  repapered using 240 grit.

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The rails were tenoned into the four corner posts.

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Turning the gallery spindles

CIMG2512When turning the spindles, I stained and friction polished them on the lathe to save time later, again I dampened to raise the grain and repapered.

CIMG2515Sixteen spindles later …

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Turning the feet

These were turned using some reclaimed feet.  They were turned in the same style, but the size was reduced.

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The finished feet

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Restoring A Biedermeier Tambour Desk Part 3

Restoring A Biedermeier Tambour Desk Part 1